About nocturnal animals movie#
About nocturnal animals series#

Susan has been sent the manuscript of a novel, entitled “Nocturnal Animals,” written by her ex-husband, Edward (Gyllenhaal), with whom she hasn’t spoken for 19 years. The whole setup borders on silver-spoon cliché, but then Ford leads us into another world. What’s more, their life of luxury has become a sham they are actually broke, and trying to keep up appearances as Hutton jets off to New York to prop up another deal. mansions that seems designed not to be touched by human hands, and her marriage to the distant, model-handsome Hutton (Armie Hammer), who is some sort of financial heavy, has clearly entered its ice-cold death phrase. She lives in one of those steely modernist L.A. We soon see what Susan is rebelling against. It turns out that we’re watching an art installation at the gallery owned and curated by Susan Morrow (Adams), and what it expresses, in a very extreme way, is everything our junky cosmetic culture doesn’t “allow.” It’s a rebuke to moneyed perfection.

About nocturnal animals series#

The credits sequence is an outrageous grabber: a series of heavy-set women, nearly nude, jiggling in slow motion and leering into the camera like middle-aged burlesque strippers, while music that’s voluptuous and forlorn enough to have been composed by Bernard Herrmann (the score is by Abel Korzeniowski) floods the soundtrack.

About nocturnal animals movie#

“Nocturnal Animals,” too, is a movie by a born romantic - only now, the love he portrays is threatened by a scary and corrupt world. He tapped into the richness of feelings that could only be expressed underground. The Colin Firth character in “A Single Man” may have been conservative and closeted, but he was rapturously romantic - and Ford, in one of the most daring moves in modern gay cinema, portrayed that very romanticism in ways that linked it to a more repressed era. Yet there’s an organic link between them. period piece about a refined gay professor in the pre-liberation era.

With Amy Adams as a posh, married, but deeply lonely Los Angeles art-gallery owner, and Jake Gyllenhaal as the novelist from her past who finds himself trapped in a nightmare, the movie has two splendid actors working at the top of their game, and more than enough refined dramatic excitement to draw awards-season audiences hungry for a movie that’s intelligent and sensual at the same time.Īt a glance, “Nocturnal Animals,” with its hot glare of sex and violence, seems like a totally different animal from “A Single Man,” which was a magic-hour L.A. “Nocturnal Animals,” which premiered today at the 73rd International Venice Film Festival, is a suspenseful and intoxicating movie - a thriller that isn’t scared to go hog-wild with violence, to dig into primal fear and rage, even as it’s constructed around a melancholy love story that circles back on itself in tricky and surprising ways.